•  Gennady Rozhdestvensky: Shostakovich

    Gennady Rozhdestvensky (1931-2018) was one of Russia's greatest conductors along with Evgeny Mravinsky and Kirill Kondrashin. His close personal and musical relationship with Shostakovich began in the 1950s and continued until the composer's death in 1975. Rozhdestvensky said at the time, 'It would be difficult to overestimate the significance of my relations with Dmitri Shostakovich since he opened before me a musical universe like a gigantic magnifying glass reflecting our fragile world'. Rozhdestvensky conducted the first western premiere of Shostakovich's Symphony No.4 in Edinburgh in 1962 and after many subsequent performances internationally, it was also the inaugural piece in his tenure as chief conductor of the BBC Symphony Orchestra (1979-81). Composed in 1936 but condemned by the Soviet authorities, it did not receive it's first performance until 1961 in Moscow. The epic Symphony No.11, given a dramatic performance by the BBC Philharmonic in 1997, is based on revolutionary folksongs relating to the 1905 Russian Revolution, and received the Lenin Prize in 1958. Despite this, questions arose as to whether Shostakovich was denouncing the Soviet regime's brutal treatment of it's opponents in it, specifically the 1956 invasion of Hungary or the Tsarist tyranny and oppression of 1905, to which there are no conclusive answers.
  • Shura Cherkassky: Saint-Saëns & Liszt

    Shura Cherkassky was born in Odessa, Ukraine in 1909 and died in London in 1995. He was initially taught by his mother who had played for Tchaikovsky, but when the family moved to the US in 1923, he studied with his long-time teacher and mentor, the legendary Josef Hofmann, before auditioning for Rachmaninov. Prior to World War II, he had made his name in the US but from 1945 he extensively toured Europe and settled in London in 1961. The last of the great Romantic tradition of pianists, Cherkassky was described by Bryce Morrison as a 'mercurial genius', a unique personality, blessed with an incredible technique, who delighted in defying convention as no performance was identical. For a musician reluctant to visit the studio, live performances were the showcase for his stunning virtuosity and creativity caught on the wing.
  • Herbert von Karajan & Clara Haskil: Mozart

    The combination of Herbert von Karajan and the revered Romanian pianist Clara Haskil (1895-1960) was an ideal partnership. Karajan had an extraordinary rapport with her, describing her career as 'a long and often sorrowful march to glory' due to Haskil's well documented ill-health.
  • Chamber Orchestra of Europe: Sibelius The Complete Symphonies

    The Chamber Orchestra of Europe (COE) had for many years a special rapport with the conductor and it was the orchestra who suggested that they perform and record all the Sibelius Symphonies with him. This took place at the Edinburgh International Festival followed by studio recordings for Finlandia and finally, at the Helsinki Festival in August 1998 where they were filmed, here documented by the COE and ICA Classics with DVD and BluRay.
  • Chamber Orchestra of Europe: Haydn, Mozart, Beethoven, Brahms

    MP3 Album:
    This set is a testament to a remarkable collaboration between the conductor Nikolaus Harnoncourt and the Chamber Orchestra of Europe and its release this year marks the Orchestra’s 40th anniversary. These recordings also trace the relationship between Harnoncourt and the Styriarte Festival which started in 1987 and lasted for over 30 years. The repertoire in this set features live concerts performed between 1989 and 2007.
  • Chamber Orchestra of Europe: Schubert The Symphonies

    MP3 Album:
    Chamber Orchestra of Europe & Nikolaus Harnoncourt
  • Great Soloists from the Richard Itter Archive

    MP3 Album:
    These four discs document an amazing array of concerto soloists, caught at various stages of their careers in the four years 1953-56. Among them are several with claims to be the finest exponents of their particular concertos - notably David Oistrakh playing the Tchaikovsky Violin Concerto in a broadcast from the BBC Studios in 1954, and Dennis Brain in two Mozart Horn Concertos from 1953 & 1954 respectively along with Strauss’s Horn Concerto No.1, from 1956.
  • Sir Thomas Beecham (Richard Itter Collection Vol.2)

    MP3 Album:
    Live BBC recordings from the 1950s with the Royal Philharmonic Orchestra and BBC Symphony Orchestra.
  • Carlo Maria Giulini: Mozart’s Le Nozze Di Figaro (Richard Itter Collection)

    MP3 Album:
    Carlo Maria Giulinis celebrated studio recording of Le nozze di Figaro was recorded in September 1959 following a live performance at the Royal Festival Hall a few days earlier. Nearly 18 months later on 6th February 1961 there was another RFH performance but with a substantially different cast from that on disc. Only two roles the Countess (Elisabeth Schwarzkopf) and Antonio (Piero Cappuccilli) were sung by the same artists.
  • Moné Hattori: Waxman-Shostakovich

    MP3 Album:
    Born in Tokyo in 1999, Moné Hattori comes from a musical family. After studies in Japan with Aguri Suzuki, Yasuko Ohtani, and Akiko Tatsumi, she made her concerto debut aged eight, and enrolled in Zakhar Bron’s prestigious Academy in Interlaken, Switzerland. Her debut recording featuring Franz Waxman’s virtuoso showpiece Carmen-Fantasie is technically brilliant as well as being a rarity on record.
  • Paul Tortelier at the BBC

    To mark the centenary of the celebrated French cellist Paul Tortelier (born 21st March 1914), the BBC drew from their archives a selection of films and documents that spanned his whole career and testified to the exceptional rapport he enjoyed with Britain. The programme “Paul Tortelier at the BBC” is here reproduced as a DVD and offers a portrait of one of the truly great cellists.
  • Robert Casadesus (Richard Itter Collection)

    MP3 Album:
    Robert Casadesus (1899-1972) was a renowned 20th-century French pianist and composer who knew and worked with Ravel. He was especially known for his celebrated performances of the Mozart Concertos accompanied on record by George Szell – Gramophone called it ‘exquisite Mozart playing’, as well as his recordings of Ravel, Fauré and Debussy. He recorded Beethoven’s First, Fourth and Fifth Concertos, the latter two multiple times, though these were all made in the studio. He also extensively recorded the Beethoven Violin Sonatas with Zino Francescatti, who also appears in ICA Classics’ Pierre Monteux set.