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  • Pierre Monteux (Richard Itter Collection)

    MP3 Album:
    The great French conductor Pierre Monteux  (1875-1964) was naturally considered a specialist of his native country’s music, though he would never allow this to restrict him. This new set of previously unpublished recordings seeks to set the record straight, with a strong representation of German repertoire, notably Brahms’ Symphony No.3 with the Boston Symphony, which he never recorded commercially, in a rare ‘live’ performance from the 1956 Edinburgh Festival. More Brahms featuring two celebrated virtuosos – the Violin Concerto with the French violinist Zino Francescatti, and the Double Concerto where he is joined by his compatriot Pierre Fournier, both ‘live’ recordings from the Royal Festival Hall in 1955. Both are previously unpublished.
  • Otto Klemperer (Richard Itter Collection Vol.2)

    MP3 Album:
    This release has been sourced from the Richard Itter archive of ‘live’ recordings. The collection is very important for collectors because it has never been released before onto the market. Following the archive’s launch in October 2017 with releases featuring Beecham, Böhm, Cantelli, Karajan, du Pré, Klemperer and Rostropovich, it has received universal praise from both the classical media and record collectors for the excellent sound and performances.
  • Bruno Walter (Richard Itter Collection)

    MP3 Album:
    Bruno Walter’s (1876-1962) appearance in 1955 with the BBCSO formed part of the BBC’s May Festival, an annual event which looked back to the pre-war London Music Festival. The present recordings have never been previously issued and serve to illustrate his genius - he showed no diminution of his powers on the podium despite celebrating his 80th birthday the following year.
  • Jacqueline du Pré & Mstislav Rostropovich: Schumann & Dvořák Cello Concertos (Richard Itter Collection)

    MP3 Album:
    This previously unreleased live recording of Jacqueline du Pré playing the Schumann Cello Concerto is her first public performance of the work, given in the Royal Festival Hall on 12 December 1962 with Jean Martinon conducting the BBCSO. She had worked intensively on the concerto with Paul Tortelier in Paris prior to this concert. When Du Pré studied the Schumann with Mstislav Rostropovich at the Moscow Conservatoire in 1966, he exclaimed, ‘This is the most perfect Schumann I have ever heard’. The 1962 live performance of the Dvořák Cello Concerto by Rostropovich has also not been released before. He is partnered by Carlo Maria Giulini, who went on to to make a studio recording of the same concerto with him in 1977. The Times critic described this Edinburgh Festival performance as an ‘exciting’ and ‘emotionally supercharged interpretation’ with Giulini’s reading ‘full of finely wrought points of detail’. The attractive bonus features Rostropovich and his wife Galina Vishnevskaya in the Ária from Villa-Lobos’s Bachianas Brasileiras.